• “The Wailing Wall” is the winner of the 48th Jerry Jazz Musician Short Fiction Contest
  • Hecht writes of a life-changing evening at a Roger Kellaway-Red Mitchell performance

     

  • The honored jazz writer Dan Morgenstern’s liner notes to the Pee Wee Russell Memorial Album are published in their entirety…

     

     

     

  • The Trailblazer

    (for Anita O’Day)

    Her name practically scats itself,
    Say it out loud, and you’re on your way,
    It’s a grand stand big band criss-cross delivery,

  • "The Wailing Wall" - a story by Justin Short
  • "The Sober Years" a true jazz story by Bob Hecht
  • Liner Notes: The Pee Wee Russell Memorial Album
  • "The Trailblazer" a poem by Freddington
Art

The Memorial for Peace and Justice — a critic’s analysis

     In the June 4 New York Times, the art critic Holland Cotter describes the new National Memorial for Peace and Justice in Montgomery, Alabama as an artistic opportunity to “encourage truth-telling far and wide.”

     The Memorial is one of two newly opened sites in the city (the other is the Legacy Museum: From Enslavement to Mass Incarceration) created by Bryan Stevenson, director of the non-profit advocacy group the Equal Justice Initiative and author of the best-selling book

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Features » Historic Journalism

William Gottlieb’s “Elusive Pianist”

Jazz photography has played an important role in the development of jazz, and, along with the art found on the record albums of the 1940’s – 60’s, is a visual window into the history of the culture.  The work of photographers like Herman Leonard, William Claxton and Lee Tanner impacted me pretty deeply, and led me deep into the record bins in search of the music they so effectively portrayed.  Leonard and Tanner, in fact, were major influences on my work on this site, and Tanner was indeed a personal mentor whose voice of encouragement remains in my head long after his 2013 passing.

Among the first interviews I ever did was in 1997 with William Gottlieb, best known as a

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Literature » Poetry

Yusef Lateef’s poetic description of music

     As his website reminds us, the late Yusef Lateef was “universally acknowledged as one of the greatest masters and innovators in the African American tradition of autophysiopsychic music – that which comes from one’s spiritual, physical and emotional self.”  He defined music as “a medium through which we express our feelings of love, sorrow, and joy.”

     Lateef, who died in 2013, was a virtuoso musician on a multitude of international instruments

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