• Ms. Hawbaker’s story is the winner of the 45th Jerry Jazz Musician Short Fiction Contest.

     

  • In this edition, Ralph J. Gleason’s liner notes to this classic 1959 recording describe the epic four week stint of Cannonball Adderley’s Quintet in San Francisco’s Jazz Workshop, as well as the vibrant late-50’s jazz scene in the city’s North Beach neighborhood.  

     

  • In this edition, Paul features samples of Alex Steinweiss album covers, created during the early 1940’s, at the beginning of his career

     

     

  • Swoosh! Shhh. Shhhhh! I hear the ear numbing screech and the train finally stops moving. Nine seconds and the loud beep will announce the door opening. Heels clack against the icy early morning pavement. The mass of cigarette smoke hazes my sense of direction until we finally reach the end of the Binario 12 and my ears welcome the familiar sound of strings.
  • "Last Stop with Louis Armstrong," by Laura Hawbaker
  • Liner Notes -- Cannonball Adderley in San Francisco
  • Cover Stories, with Paul Morris; Vol. 21
  • "As good as it will ever get" - a short story by Julie Parks
Features » Book Excerpts

How Billie became “Lady Day”

Having just published Arya Jenkins’ excellent new short story “Foolish Love,” in which Billie Holiday’s music plays a central role in the life of the story’s main character, this piece, excerpted from Bill Crow’s 1990 book, Jazz Anecdotes, is a wonderful reminder of how Ms. Holiday became known as “Lady Day.”  The story is set up by Crow and stories about nicknames created by “Prez.”

 

__________

 

Lester Young made up names for many of his friends, and everyone used them.  He called Count Basie “The Holy Man,” (shortened by the band to “Holy”) because he was the

[…] Continue reading »

Literature » Jazz Fiction by Arya Jenkins

“Foolish Love” — a short story by Arya Jenkins

     That winter we lived among mice in the Berkshires, in a little cabin set not far from a large white clapboard house that belonged to the owner Betty, who was a widow. Two steps up to the cabin did nothing to keep the mice away. Their constant tweaking and bustle made me feel I was living in an indoor forest. Betty, who was a nice old lady, warned us. “You’ll never be able to keep the mice out. If you can stand them, the place is yours.”

 

      We had come up to the Berkshires figuring we might have to rough it, but had no idea. Van and I had been together about two years then. The summer before we had been married on a beach in

[…] Continue reading »

Uncategorized

Timeline of King Oliver’s Creole Jazz Band (1917-1923)

I was recently contacted via email by Andrew Taylor, a self-described lifelong jazz fan, Armstrong aficionado and history buff who is also an imaging professional and metadata librarian who explores data visualization, timelines and dynamic media in the manner being pioneered by some practitioners of “data journalism.”

Taylor’s coalescing interests and effort has resulted in an entertaining timeline he created leading to the 1923-1924 recordings of King Oliver’s Creole Jazz Band.

Taylor writes that the timeline “chronicles the development of the band that created them – beginning in March 1917 when the pre-Oliver edition of the band left New Orleans for

[…] Continue reading »

Uncategorized

“Pardon my dust”

  Hello Folks… Due to a recent change in website hosting companies, the Jerry Jazz Musician website was recently migrated from one (rather dependable) host to a another.  Unfortunately, many issues that may impact your normal experience interacting with the site have yet to be ironed out.   So…many thanks for your patience as I […] Continue reading »