• The publication of Arya Jenkins’ “LULU AND ME” is the 13th in a series of short stories she has been commissioned to write for Jerry Jazz Musician. 

     

  • In Robbie Robertson’s entertaining biography Testimony, the rock guitarist tells a short story about a conversation he overheard Bob Dylan having with The Byrd’s Jim (a.k.a. “Roger”) McGuinn concerning John Coltrane’s influence on McGuinn when he wrote “Eight Miles High.” 

  • Robert Hecht remembers his trip to Kansas City, and the impact it has had on his life 

     

     

  • Halema
    with the soulful jazz eyes
    deep dreaming the notes
  • "Lulu and Me" - a story by Arya Jenkins
  • Dylan, The Byrds, and John Coltrane
  • "Bird Lives" -- a memory of Charlie Parker's K.C.
  • "Halima and Chet" -- a poem by dan smith
Art

The Jazz Album Art of Jim Flora

Vintage record buffs have long been bedazzled by the bizarre, cartoonish album covers tagged with the signature “Flora.” For Columbia in the 1940s and RCA Victor in the mid-1950s, James (Jim) Flora (1914-1998) designed diabolic and hallucinatory covers that enticed music shop habitués browsing in the jazz, ethnic, and classical aisles. His jaw-dropping boldness and savory color combinations invited lingering glances. Although you shouldn’t judge an album by its cover, in the case of Flora’s work, the disc inside almost seemed an afterthought. […] Continue reading »

Interviews

Tom Smothers discusses his life in comedy

Time has been an essential ingredient in the Smothers Brothers’ success. They have been considered ahead of their time, masters of timing and practitioners of timeless comedy. Now as they mark over 42 years in show business, the Smothers Brothers are being saluted as time-honored legends whose lengthy career has surpassed all other comedy teams in history. […] Continue reading »

Interviews

The Ralph Ellison Project: filmmaker Avon Kirkland discusses the author of Invisible Man

Filmmaker Avon Kirkland’s career as a chemist was cut short by his desire to create social change. The path he chose led to filmmaking, and along the way he has profiled great men, among them Booker T. Washington and Thurgood Marshall.

His latest film is on Ralph Ellison, the great American writer whose classic book of identity, Invisible Man, stands as a monument in literature. Ellison’s wide range of intellectual breadth and profundity surprised even Kirkland, and is documented in Ralph Ellison: An American Journey, the Sundance Film Festival nominated film that has found an audience via PBS.
[…] Continue reading »

Interviews » Biographers

Douglas Daniels, author of Lester Leaps In: The Life and Times of Lester “Pres” Young

ester Young was jazz music’s first hipster. He performed onstage in sunglasses and coined and popularized the enigmatic slang “that’s cool” and “you dig?” He was a snazzy dresser who always wore a suit and his trademark porkpie hat. He influenced everyone from B. B. King to Stan Getz to Allen Ginsberg. When he died, he was the subject of musical tributes by Charles Mingus (“Goodbye Pork Pie Hat”) and Wayne Shorter (“Lester Left Town”), and incidents from his life were featured in the movie ‘Round Midnight. […] Continue reading »

Interviews

Jazz Critic Gene Lees

Gene Lees is a well-known jazz chronicler. He is also a song lyricist, composer, singer, and author of more than a dozen volumes of jazz history and criticism, including the highly acclaimed Cats of Any Color: Jazz Black and White.

In You Can’t Steal a Gift, Lees writes of his encounters with four great black musicians: Dizzy Gillespie, Clark Terry, Milt Hinton, and Nat King Cole. Equal parts memoir, oral history, and commentary, each of the main chapters is a minibiography weaving together conversations Lees had with the musicians and their families, friends and associates over several decades.
[…] Continue reading »