• “The Wailing Wall” is the winner of the 48th Jerry Jazz Musician Short Fiction Contest
  • Hecht writes of a life-changing evening at a Roger Kellaway-Red Mitchell performance

     

  • The honored jazz writer Dan Morgenstern’s liner notes to the Pee Wee Russell Memorial Album are published in their entirety…

     

     

     

  • The Trailblazer

    (for Anita O’Day)

    Her name practically scats itself,
    Say it out loud, and you’re on your way,
    It’s a grand stand big band criss-cross delivery,

  • "The Wailing Wall" - a story by Justin Short
  • "The Sober Years" a true jazz story by Bob Hecht
  • Liner Notes: The Pee Wee Russell Memorial Album
  • "The Trailblazer" a poem by Freddington
Interviews » Conversations with Gary Giddins

Book Review/”Weatherbird,” by Gary Giddins

The world of jazz criticism is enriched every time Gary Giddins brings out a new book, and Weather Bird: Jazz at the Dawn of its Second Century, bulges with riches. The collection is mostly drawn from his recently-ended Village Voice column (also called “Weather Bird”), with the addition of significant essays published elsewhere. Even faithful readers of the Voice will find ample new Giddins material here. […] Continue reading »

Features

Great Encounters #22: Cassius Clay, Malcolm X, and Sam Cooke — the Clay/Sonny Liston fight, Miami, 1964

Excerpted from Dream Boogie: The Triumph of Sam Cooke, by Peter Guralnick

Jerry Brandt got them all tickets for the Clay-Liston fight in Miami on February 25. Allen brought his wife, Betty, Sam took Barbara, and J.W. came by himself, with Allen arranging for accommodations at Miami’s resplendent Fountainebleau Hotel. Allen had already registered and was in his room when Sam arrived, only to be told that there had been a mix-up about the reservations. It was not as blatant as Shreveport,
[…] Continue reading »

Interviews

“Civil Liberties and Jazz — Past, Present and Future” — A conversation with journalist Nat Hentoff

at Hentoff, a prolific author and journalist whose work has been published for many years in, among other publications, the Village Voice, the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times, has been described by one of his publishers, DaCapo Press, as “a man of passion and insight, of streetwise wit and polished eloquence — a true American original.” This “passion of insight” is particularly apparent in his lifelong devotion to the chronicling of jazz music — a pursuit that began even before he became editor of Downbeat in 1953 — and in his steadfast defense of the Constitution. […] Continue reading »

Interviews

Chuck Haddix, author of Kansas City Jazz: From Ragtime to Bebop

There were but four major galaxies in the early jazz universe, and three of them — New Orleans, Chicago, and New York — have been well documented in print. But there has never been a serious history of the fourth, Kansas City, until the recent publication of Kansas City Jazz: From Ragtime to Bebop — A History, by Frank Driggs and Chuck Haddix. […] Continue reading »