• The publication of Arya Jenkins’ “LULU AND ME” is the 13th in a series of short stories she has been commissioned to write for Jerry Jazz Musician. 

     

  • In Robbie Robertson’s entertaining biography Testimony, the rock guitarist tells a short story about a conversation he overheard Bob Dylan having with The Byrd’s Jim (a.k.a. “Roger”) McGuinn concerning John Coltrane’s influence on McGuinn when he wrote “Eight Miles High.” 

  • Robert Hecht remembers his trip to Kansas City, and the impact it has had on his life 

     

     

  • An appreciation for the poetry of Mike Faran, who passed away in December
  • "Lulu and Me" - a story by Arya Jenkins
  • Dylan, The Byrds, and John Coltrane
  • "Bird Lives" -- a memory of Charlie Parker's K.C.
  • "The Passing of a Poet"
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The Healing Power of Jazz

“Music can change people’s lives.  Mozart knew it.  Beethoven knew it.  Miles Davis knew it. Dizzy Gillespie knew it.  Music is what’s important.  It’s giving me life, and it is giving other people hope.”  That is the message from seventy-year-old jazz drummer Phil Young, spoken during The Healing Power of Jazz, an emotional and enriching short film by Jay Dockendorf and Kenny Sule. 

“Music has a very healing energy,” Young says.  “It deals with a force.  It’s vibrations.”  He tells a story of how music helped a

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Literature » Short Fiction Contest Details

Submit your stories for the 47th Jerry Jazz Musician Short Fiction Contest

Heads up to all interested short fiction writers…The deadline for submitting your story for consideration in our 47th Short Fiction Contest is January 31. Contest details are found here.

The winner of our 46th Contest was Julie Parks.  Her story, “Cotton Candy on Alto Sax,” can be read by clicking here.  This story was one of six short stories/poems nominated for the prestigious Pushcart Prize.  You can view those nominations by

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Literature » Jazz Fiction by Arya Jenkins

“Lulu and Me” — a short story by Arya Jenkins

     The winter I ran away, I moved into a garret in Provincetown, where I wrote poetry under the light of a candle far into the wee hours. Out my window, two stories up, I could see snow glistening on slanted rooftops that led like an uneven staircase to the bay. Below me, a twisted narrow path led to Commercial Street, peaceful and stark as an unwritten page. It was 1973 and I had run to the end of the world as I knew it to find freedom.

       I knew Provincetown from spending summers with my dad and Grandma Tess in her cottage in Truro. It seemed she’d lived most of her life since Grandpa’s passing as a beachcomber. I liked following behind her when we collected

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Uncategorized

Dylan, The Byrds, and John Coltrane

In Robbie Robertson’s entertaining biography Testimony, the rock guitarist tells a short story about a conversation he overheard Bob Dylan having with The Byrd’s Jim (a.k.a. “Roger”) McGuinn concerning John Coltrane’s influence on McGuinn when he wrote “Eight Miles High.” 

The setting was Los Angeles, 1966, during a Dylan tour that employed Robertson and, among others, bandmates Rick Danko and Richard Manuel, who are referred to in the excerpt.  The “Levon” in the story was the drummer Levon Helm, who left the tour after a month out of frustration of playing with Dylan during his initial “electric” period, when folk music purists routinely

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