• “The Wailing Wall” is the winner of the 48th Jerry Jazz Musician Short Fiction Contest
  • Hecht writes of a life-changing evening at a Roger Kellaway-Red Mitchell performance

     

  • The honored jazz writer Dan Morgenstern’s liner notes to the Pee Wee Russell Memorial Album are published in their entirety…

     

     

     

  • The Trailblazer

    (for Anita O’Day)

    Her name practically scats itself,
    Say it out loud, and you’re on your way,
    It’s a grand stand big band criss-cross delivery,

  • "The Wailing Wall" - a story by Justin Short
  • "The Sober Years" a true jazz story by Bob Hecht
  • Liner Notes: The Pee Wee Russell Memorial Album
  • "The Trailblazer" a poem by Freddington
Literature

Three takes on Louis Armstrong

One afternoon at the age of ten, lightning strikes.

Alone in our ramshackle wood-frame house in Hartford, I decide to listen to some of my parents’ 45 RPM records. I watch one slide down the fat spindle and plop onto the turntable to receive the tone arm and needle. The music starts and like a bolt captures not just my ears but my whole being. It’s a guy with a gravelly voice singing something about

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Features » Historic Journalism

Aaron Copland’s favorite jazz musicians

     Aaron Copland, the mid-century classical composer whose work was greatly influenced by American life, had an interest in jazz, particularly, as he told Don Gold in a May, 1958 Downbeat article “the marriage – the fact that the young jazzmen are composers, often bridging the gap between fields. “  He also had some sympathy for jazz musicians because “they have the same trouble getting a big audience we have.”

     The article, titled “Aaron Copland: The Well-Known American Composer Finds Virtues and Flaws in Jazz,” is of special interest because

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Features » Historic Journalism

Artie Shaw and his “chamber-music group in a house packed with jitterbugs!”

     In an historic December 2, 1939 “rags to riches” piece in the Saturday Evening Post titled “Music is a Business,” Artie Shaw writes about his participation in what was billed as “New York’s…first Swing Concert” — presented at the Imperial Theater on May 24, 1936 — and how his formation of an unusual ensemble for the evening resulted in only short term opportunity, but ultimately led to wild success.

     “I had always felt that a string background for a hot clarinet would wed the best of sweet and swing as it was being interpreted at the moment,” Shaw wrote of the ensemble idea he had for the “Swing Concert” performance. “At least, it would be novel and might attract some

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Literature » Short Fiction

“Full Moon New Year” — a short story by Debora Ewing

     This is one of those parties I’ve heard about, thrown by people with new money in a house they don’t own; like Hipster Gatsby. This is not to disparage our host: he is a sincere human. When one finds one’s self in a cliché, the moment should be chronicled. I’m sitting on a mausoleum chair in the foyer of an upscale Seattle home with my glass of vodka perched on a music stand, chronicling.

      The jazz musicians in the living room are playing “Some Day My Prince Will Come.” 

      “Oh, good, it’s the Disney segment,” I say to nobody in particular. The drunk woman who earlier complimented my

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