Ilya Bernstein, Freddington, Michael L. Newell, Stephen R. Walsh and Dan Franch contribute to this fine collection of poetry… […] Continue reading »
From discarded crumbs,
like falling stars onto stage
horns and strings form dreams
from blues and tears, where fear has
no place and lies
provides promises past midnight while
jazz makes people hungry
Time is all time
for the player in cosmic space.
Undo the bolts & let fly
or jump back in the box
These are your reality implications
on any day of earth-clinging.
But as to the progressive continuance
of organic life on this orb,
Nothing can spoil today, not even our Sue. It’s the third Saturday in September, 1978. I’m 11 years old and like every other girl in our street, (and some of the boys), I’ve waited months for this. I know all the singles off by heart, I’ve watched the videos on Top of the Pops, posters of John Travolta have replaced Starsky and Hutch on my bedroom wall, and finally, FINALLY, after hearing the songs all Summer, the people of England can go to the cinema and watch Grease.
All the Brook Street lot are going; kids from six different families with four of their mums; The Thompsons, the Maguires, the Connollys, the Yips, the Browns and us. I’m as excited as the rest of them, but the difference is, I can’t tell anyone who the flutters in my stomach are for.
We all get the bus together. It’s packed and we have to stand in the aisle, fingers slippery on the
sits on the end
of my bed
holding his alto sax.
and for pete’s sake! mr. traps:
buddy rich was also there,
getting his drum kit ready
by the end of the bed.
then ray brown’s there
and making a
Baltimore, Maryland. 1960. DAVID, a white boy in his late teens, is standing in the rain under an umbrella, waiting for the morning school bus. There is a bench behind him. Enter CLARE, a black girl his age.
It’s so cold.
Long pause. DAVID is uncomfortable.
Would you mind sharing your umbrella?
Heads up to all interested short fiction writers…The deadline for submitting your story for consideration in our 49th Short Fiction Contest is September 30. Contest details are found here.
In early morning silence,
breathing is audible.
Steam rises from tea.
A train’s whistle moans
in the distance, and I
whisper to the night
secrets I share with
there’s new Coltrane out
lost recordings tootin’ the devil’s horn
and while I’ve been leery
of these “new” releases, how
wrong can John Go?
even John on scat is pure
You’ve played this gig at the Tennyson Lodge at least a hundred times by now you figure—three years times twice a week, Wednesdays and Thursdays. You just took a solo and now The Kid is thumping on his oversized instrument, oversized by comparison to his body. He’s a five-foot-nothing of a chubby student bassist having joined the quartet two weeks prior. His dark, stylishly teased hair is stuck in place by product, his eyes just barely open and he rocks left to right in a manner offensive to you for some reason.
You don’t need a reason. You’ve been doing this long enough to call it like you see it and The Kid is nothing more than a vaguely promising hack. You might want to talk to him on break, get a better idea where his head is at, but meanwhile he’s wiggling around and you kind of hope he gets caught under a