Although it has had its share of detractors, critical acclaim for Stanley Crouch’s first novel, Don’t the Moon Look Lonesome, is quite impressive — particularly among scholars and fellow writers. For example, Susan di Sesa, former Executive Editor of The Modern Library called it “one of the most profound novels in the English language,” while Pulitzer Prize-winning author James Alan McPherson wrote, “In attempting to employ ‘riffs’ to explore the emotional and psychological dimensions of his characters, Stanley Crouch has evolved a new narrative technique.”
Crouch — known primarily as an outspoken New York cultural critic — clearly understands that a serious writer’s role is to provoke his audience with potentially new avenues of thought
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Jack Johnson was the first black heavyweight champion in history, the celebrated — and most reviled — African American of his age. Prizewinning biographer Geoffrey Ward tells Johnson’s story in Unforgivable Blackness, which reveals a far more complex and compelling life than the newspaper headlines he inspired could ever convey. […] Continue reading »
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.” […] Continue reading »
“Moon River,” “Laura,” “Skylark,” “That Old Black Magic,” “One For My Baby,” “Accentuate the Positive,” “Satin Doll,” “Days of Wine and Roses,” “Something’s Gotta Give,” — the honor roll of Johnny Mercer’s songs is endless. Both Oscar Hammerstein II and Alan Jay Lerner called him the greatest lyricist in the English language, and he was perhaps the best-loved and certainly the best-known songwriter of his generation. But Mercer was also a complicated and private man. […] Continue reading »
Joshua Berrett’s Louis Armstrong and Paul Whiteman: Two Kings of Jazz is a dual biography of two great innovators in the history of jazz. One was black, one was white — one is now legendary, the other nearly forgotten. Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practioners — Whiteman, legendary in his day, and Armstrong, a legend ever since. […] Continue reading »
Nadine Cohodas’s Queen: The Life and Music of Dinah Washington, is the landmark biography of the brief, intensely lived life and soulful music of the great Dinah Washington. A gospel star at fifteen, she was discovered by jazz great Lionel Hampton at eighteen, and for the rest of her life was on the road, playing clubs, or singing in the studio — making music one way or another. Dinah’s tart and heartfelt voice quickly became her trademark; she was a distinctive stylist, crossing over from the “race” music category to the pop and jazz charts.
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Illicit drugs have transfigured the American cultural landscape in the past half-century, leaving their mark on everything from art, music, literature, sexuality, spirituality, pop culture, the economy, and politics, to crime, public health, and national law enforcement policy. In Can’t Find My Way Home: America in the Great Stoned Age, 1945 – 2000, documentary filmmaker and writer Martin Torgoff traces the tangled trajectory of illegal drug use in America, as it spread post-World War II from the Beats and bebop musicians, all the way to the Ecstasy-fueled rave culture. […] Continue reading »
Emily Yellin’s Our Mothers’ War: American Women at Home and at the Front During World War II is a stunning and unprecedented portrait of women during World War II, a war that forever transformed the way women participate in American society. It is a long overdue examination that re-creates what American women from all walks of life were doing and thinking, on the home front and abroad. […] Continue reading »
The story of black professional baseball provides remarkable perspective on several major themes in modern African American history: the initial black response to segregation, the subsequent struggle to establish successful separate enterprises, and the later movement toward integration. Baseball functioned as a critical component in the separate economy catering to black consumers in the urban centers of the North and South. While most black businesses struggled to survive from year to year, professional baseball teams and leagues operated for decades, representing a major achievement in black enterprise and institution building. […] Continue reading »
Lost Sounds is the first in-depth history of the involvement of African Americans in the earliest years of recording. It examines the first three decades of sound recording in the United States, charting the surprising role black artists played in the period leading up to the Jazz Age.
Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides revealing biographies of some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W.C. Handy, James Reese Europe, Wilbur Sweatman, boxing champion Jack Johnson, as well as a host of lesser-known voices.
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