He was the biggest star in gospel music before he ever crossed over into pop. His first single under his own name, “You Send Me,” was an historic success, going to number one on the charts and selling two million copies. He wrote his own songs, hired his own musicians, and started […] Continue reading »
No musician evokes the time of the Big Band era more strikingly than Tommy Dorsey (1905 – 1956), whose towering trombone style and smash hits created legions of fans and influenced popular music for decades. Peter Levinson, the author of criticially acclaimed biographies of Harry James and Nelson Riddle, has now written the definitive account of this icon of jazz, drawing on exhaustive new research and scores of interviews with the musicians and others who knew him best. […] Continue reading »
This edition of “Conversation with Gary Giddins” is the first of three Jerry Jazz Musician features devoted to the importance of New Orleans culture. In an enlightening, passionate conversation, Giddins — for many years the country’s most eminent jazz critic — discusses the beginnings of jazz in the city of New Orleans, its prominent figures, and what needs to be done to properly market jazz in a city that has contributed so much toward shaping the soul of America. […] Continue reading »
The world of jazz criticism is enriched every time Gary Giddins brings out a new book, and Weather Bird: Jazz at the Dawn of its Second Century, bulges with riches. The collection is mostly drawn from his recently-ended Village Voice column (also called “Weather Bird”), with the addition of significant essays published elsewhere. Even faithful readers of the Voice will find ample new Giddins material here. […] Continue reading »
at Hentoff, a prolific author and journalist whose work has been published for many years in, among other publications, the Village Voice, the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times, has been described by one of his publishers, DaCapo Press, as “a man of passion and insight, of streetwise wit and polished eloquence — a true American original.” This “passion of insight” is particularly apparent in his lifelong devotion to the chronicling of jazz music — a pursuit that began even before he became editor of Downbeat in 1953 — and in his steadfast defense of the Constitution. […] Continue reading »
There were but four major galaxies in the early jazz universe, and three of them — New Orleans, Chicago, and New York — have been well documented in print. But there has never been a serious history of the fourth, Kansas City, until the recent publication of Kansas City Jazz: From Ragtime to Bebop — A History, by Frank Driggs and Chuck Haddix. […] Continue reading »
Before Wilt Chamberlain, Bill Russell, Julius Erving, or Michael Jordan — before Magic Johnson and Showtime — the Harlem Globetrotters revolutionized basketball and spread the game around the world. In Spinning the Globe: The Rise, Fall, and Return to Greatness of the Harlem Globetrotters, author Ben Green tells the story of this extraordinary franchise and iconic American institution. […] Continue reading »
At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.
In Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War, Penny Von Eschen escorts readers across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. […] Continue reading »
Just after World War I, the musical style called jazz began a waterborne journey outward from that quintessential haven of romance and decadence, New Orleans. For the first time in any organized way, steam-driven boats left town during the summer months to tramp the Mississippi River, bringing an exotic new music to the rest of the nation. For entrepreneurs promoting jazz, this seemed a promising way to spread northward the exciting sounds of the Crescent City. And the musicians no longer had to wait for folks upriver to make their way down to New Orleans to hear the vibrant rhythms, astonishing improvisations, and new harmonic idioms being created. […] Continue reading »
“I suppose you could say that the seeds of my next book, a full-length biography of Louis Armstrong, were planted three years ago, when I was writing an essay for the New York Times about Armstrongs centenary in which I called him “jazz’s most eminent Victorian,” Terry Teachout wrote in his August 17, 2004 Arts Journal blog.
Three years after the Times piece was published, he took a tour of the Louis Armstrong House in Queens and came away with the enthusiasm required of such an endeavor. […] Continue reading »