Interview with Bing Crosby biographer Gary Giddins

Gary Giddins, his generation’s most eminent jazz writer and author of the award winning biography Bing Crosby: A Pocketful of Dreams: The Early Years, 1903 – 1940, talks with us about his brilliant second book on Crosby, Swinging on a Star: The War Years, 1940 – 1946. The interview is a fascinating read — a virtual history of Crosby’s life and his impact on America during its most consequential decade. Featuring photos, music and film clips, and information about Giddins’ experience studying Crosby for 25 years.

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October 25th, 2018

Gary Giddins discusses Thelonious Monk

If you do a blindfold test and play Monk, the listener is likely going to know it’s him after about two bars. Everything about the way he approaches the piano and music is so distinctive. People used to use words like idiosyncratic and eccentric, but there is, of course, more than that — there is a tremendous beauty in Monk’s music, and it is peculiar to him. Everything about his attack, the particular percussiveness of his style, his use of chords, his astonishing time, can only be described as “Monkian.” And in terms of his almost exclusive reliance on jazz, most great jazz pianists have some

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October 17th, 2016

Gary Giddins on jazz criticism

Jazz history is filled with great moments and musicians, reported on over the years by critics whose work influenced the music’s path. Rudi Blesh, Martin Williams, Albert Murray, Dan Morgenstern, Nat Hentoff, Gene Lees, Leonard Feather, Whitney Balliett, and Stanley Crouch are just a handful of the critics whose liner notes, columns, opinions and histories we read while deepening our desires to grow with the music. The writer whose work is perhaps most renown is Gary Giddins, the award-winning writer who for years wrote about jazz for the Village Voice, and who I was privileged to interview several times about a variety of interesting topics in our Conversations with Gary Giddins series.

In June, 2003, Giddins and I talked about his ascension as a jazz writer, and included his candid observations of other prominent critics. The discussion concluded with a unique “Blindfold Test” that asked Giddins to name the jazz writer responsible for the essay excerpt he is spontaneously shown. It is a timeless view of

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May 24th, 2016

Gary Giddins on underrated saxophonists

Fans of the saxophone may enjoy reading a January, 2004 interview I did with critic Gary Giddins on underrated jazz musicians. (This was part of my 15 part series of interviews with him called “Conversations with Gary Giddins.”) In this snippet from the interview, Giddins talks about George Coleman, Booker Ervin, Paul Gonsalves, Charlie Rouse and others who he considered “underrated.”

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April 14th, 2016

Jazz writer Gary Giddins on underrated jazz guitarists

“If you look at the Grove Dictionary of Jazz, it is three volumes of jazz history and it embodies a never-ending challenge to discover all those artists. I think the important thing is to look beyond the most celebrated names. In this regard, jazz is profoundly different from nineteenth century classical music, where the pantheon has proven remarkably stable. A jazz listener will want to hear Miles Davis — his reputation is there for a reason — but so much of the fun in jazz lies in finding those distinct personalities who were extremely individual and inventive, yet abide in relative obscurity.”

This comment was made by the most eminent jazz writer Gary Giddins during our “Conversations with Gary Giddins” series, in which he talked about underrated jazz musicians. This particular conversation — from 2004 — concerns underrated jazz guitarists.

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January 26th, 2016

Booker Ervin and other “underrated” saxophonists

I got caught up into listening to Booker Ervin this morning, and was reminded about my first experience listening to him as a leader — on a big band session he led called Booker ‘n’ Brass, a 1967 Pacific Jazz recording that has found its way to my turntable for the first time in probably 25 years. Forty-eight years since its recording, Ervin’s crisp attack over the top of the stalwart Teddy Edwards-led band on songs like “St. Louis Blues,” “Baltimore Oriole,” and “Harlem Nocturne” sounds as good as it did when I first discovered this record in a Portland used record shop for $2.99 , c. 1980.

Getting into Ervin again reminds me of a conversation I hosted in January, 2004, with the most eminent jazz critic of his era, Gary Giddins, who shared his thoughts with me in a three part series regarding the jazz musicians he deemed as being “underrated.” Here is the part where he talks about

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April 28th, 2015

Conversations with Gary Giddins: On his books Jazz and Warning Shadows

Giddins has been a frequent contributor to Jerry Jazz Musician. This is the 15th interview in our “Conversations with Gary Giddins” series. He joins us in a June 1, 2010 discussion about his two new books.

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June 1st, 2010

Conversations with Gary Giddins: on his book, Natural Selection

Long recognized as America’s most brilliant jazz writer, the winner of many major awards — including the prestigious National Book Critics Circle Award — and author of a highly popular biography of Bing Crosby, Gary Giddins has also produced a wide range of stimulating and original cultural criticism in other fields. With Natural Selection, he brings together the best of these previously uncollected essays, including a few written expressly for this volume.

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June 22nd, 2007

Conversations with Gary Giddins: on Jazz Festivals

In a wide-ranging conversation, Gary Giddins — for many years the country’s most eminent jazz critic whose most recent collection of cultural criticism is titled Natural Selection — talks about his recent trip to Brazil’s Ouro Preto International Jazz Festival, the business of jazz festivals and touring, jazz education, and the debate concerning where today’s cutting-edge of jazz resides.

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October 30th, 2006

Conversations with Gary Giddins: A History of Jazz in New Orleans

This edition of “Conversation with Gary Giddins” is the first of three Jerry Jazz Musician features devoted to the importance of New Orleans culture. In an enlightening, passionate conversation, Giddins — for many years the country’s most eminent jazz critic — discusses the beginnings of jazz in the city of New Orleans, its prominent figures, and what needs to be done to properly market jazz in a city that has contributed so much toward shaping the soul of America.

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October 31st, 2005

Book Review/”Weatherbird,” by Gary Giddins

The world of jazz criticism is enriched every time Gary Giddins brings out a new book, and Weather Bird: Jazz at the Dawn of its Second Century, bulges with riches. The collection is mostly drawn from his recently-ended Village Voice column (also called “Weather Bird”), with the addition of significant essays published elsewhere. Even faithful readers of the Voice will find ample new Giddins material here.

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October 29th, 2005

Conversations with Gary Giddins: on Big Bands

In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”

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May 10th, 2005

In This Issue

This issue features a roundtable discussion about how the world of religion may have impacted the creative lives of Billie Holiday, Langston Hughes and Ralph Ellison. Also, previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning story; three new podcasts from Bob Hecht; new collection of poetry; recommendations of recently released jazz recordings, and lots more.

Short Fiction

"The Wailing Wall" -- a short story by Justin Short

Interviews

Three prominent religious scholars -- Wallace Best, Tracy Fessenden and M. Cooper Harriss -- join us in a conversation about how the world of religion during the life and times of Langston Hughes (pictured), Billie Holiday and Ralph Ellison helps us better comprehend the meaning of their work.

Poetry

Nine poets contribute ten poems celebrating jazz in poems as unique as the music itself

Short Fiction

In celebration of our upcoming 50th Short Fiction Contest, previous contest winners (dating to 2002) reflect on their own winning story, and how their lives have since unfolded.

The Joys of Jazz

In this edition, award winning radio producer Bob Hecht tells three stories; 1) on Charlie Christian, the first superstar of jazz guitar; 2) the poet Langston Hughes’ love of jazz music, and 3) a profile of the song “Strange Fruit”

On the Turntable

25 recently released jazz tunes that are worth listening to…including Bobo Stenson; Medeski, Martin and Wood; Muriel Grossman and Rudy Royston

Features

Chick Corea, Rickie Lee Jones, Gary Giddins, Michael Cuscuna, Randy Brecker and Tom Piazza are among those responding to our question, "What are 3 or 4 of your favorite jazz recordings of the 1940's?"

Poetry

"Billie Holiday" -- a poem (with collage) by Steve Dalachinsky

Coming Soon

Thomas Brothers, Duke University professor of music and author of two essential biographies of Louis Armstrong, is interviewed about his new book, HELP! The Beatles, Duke Ellington, and the Magic of Collaboration; also, Spelman College President Mary Schmidt Campbell, author of An American Odyssey: The Life and Work of Romare Bearden, in a conversation about the brilliant 20th Century artist

In the previous issue

This issue features an interview with Bing Crosby biographer Gary Giddins; a collection of poetry devoted to the World War II era; and a new edition of “Reminiscing in Tempo,” in which the question “What are 3 or 4 of your favorite jazz recordings of the 1940’s” is posed to Rickie Lee Jones, Chick Corea, Tom Piazza and others.

Contributing writers

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