In his 1973 autobiography Music is My Mistress, from a chapter titled “The Taste Buds,” Duke Ellington writes about his special diet, losing thirty pounds while on it, and the resulting onstage antics.
In 1955 my doctor, Arthur Logan, told me I would have to take off twenty-two pounds. I tore up his suggested menu and made one of my own. Mine was simply steak (any amount), grapefruit, and black coffee with a slice of lemon first squeezed and then dropped into it. With the exception of a binge one day a week, I ate as much of this and as often as I please for three months.
When we returned to the New York area, my first date was […] Continue reading »
Lee Santa, who calls himself “simply a fan of jazz who is also a photographer” and whose life has been “heavily influenced by jazz’s sounds, structures and impressions,” recently reached out to me via email, informing me that Roundbend Press has just released his collection of photographs, A Journey Into Jazz: Anecdotes, Notes and Photos of a Jazz Fan.
Along with his entertaining introduction to the book, Santa sent me several photographs from the book — all of which I have never seen before. For example, there is Ornette Coleman at Berkeley’s Greek Theater in the turbulent year of 1968, Pharoah Sanders at the Village Gate in 1970, Sam Rivers playing outdoors (maybe at the Jazz Festival?) in Portland, 1979, and one of Mose Allison in Seattle in 1988 (about the same time I recall seeing him at a club in Portland).
Santa’s background story is very cool, and is told in his introduction and in Terry Simons’ publisher’s note, both published here. At the end of Santa’s introduction, you will find several photos […] Continue reading »
Cannonball Adderley was an endearing, charismatic and cutting-edge musician who, as Adderley biographer Cary Ginell writes in the introduction of Walk Tall: The Music and Life of Julian “Cannonball” Adderley “brought an enthusiasm for his music to nightclubs around the world, expanding jazz’s boundaries with a fresh exuberance as the music progressed from the bebop of the 1940s and ’50s to combine with gospel and soul to help pioneer the subgenres of hard bop and soul jazz in the ’60’s.” His signature sound — though cut short at the age of 46 in 1975 — remains an essential ingredient of the music’s past, present and future.
I am in the process of working on an interview with Ginell, which I expect will be published sometime in August. Meanwhile, the book’s Foreward — a fond remembrance of Adderley by his friend Quincy Jones — is published here in its entirety, […] Continue reading »
While reading through Donald Marquis’ outstanding In Search of Buddy Bolden: First Man of Jazz (1978), I was reminded about the only photograph in existence of Bolden — perhaps the most famous photograph in the history of jazz. Here is what Marquis learned about it while writing his book…
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Straight Life: The Story of Art Pepper, published in 1979, remains one of the most critically acclaimed jazz biographies ever written — some would even call it a “classic of its kind.” Written by the great West Coast alto player and his third wife Laurie, the book is brutally honest about the world Pepper traveled in, and is filled with colorful stories about his time with Stan Kenton, graphic descriptions of his sexual encounters, and, of course, the toll of his epic substance abuse.
Laurie Pepper has just published a follow-up to Straight Life called Why I Stuck with a Junkie Jazzman, an exciting development for many of us. I haven’t read it yet, but hope to do so. No less an authority than Gary Giddins blurbed for the book: “Everyone who knows the skillful craftsmanship she brought to Straight Life, the masterpiece she made of Art Pepper’s life, will find it here again, in service to her own story, which would be […] Continue reading »
The stories about racial confrontations that jazz musicians experienced are, unfortunately, limitless. I recently posted “The Jazz at the Philharmonic Dice Game Bust,” which told the story of how producer Norman Granz challenged segregation in Houston.
Here is a pretty interesting story that Louis Bellson tells about how his bandleader Tommy Dorsey stood up for trumpet player Charlie Shavers during a swing through the Carolinas:
Somewhere down South — North Carolina or South Carolina — segregation, of course, was going on. Tommy told the buyer [on one date], “He’s [Shavers] in my band. He’s an artist. He’s featured […] Continue reading »
In “Louis Armstrong: Master of Modernism, author Thomas Brothers writes about Armstrong’s early fascination with marijuana — an interest that began in Chicago, 1928, while playing the Savoy Ballroom. This interest led to a marijuana possession arrest on November 13, 1930 in the parking lot of Los Angeles’ Cotton Club. “Armstrong was allowed to finish out his night work before they hauled him off to jail around 3:00 A.M.,” Brothers writes.
The following book excerpt begins with a rather humorous transcript from his trial, and then […] Continue reading »
On the heels of terrific books on Bud Powell, Charles Mingus, Charlie Parker and Duke Ellington comes Louis Armstrong, Master of Modernism, author and Duke University Music Professor Thomas Brothers’ follow-up to his revered Louis Armstrong’s New Orleans.
In the book’s introduction, Brothers reports that his book picks up where Louis Armstrong’s New Orleans left off, with Armstrong’s 1922 Chicago arrival, and ends ten years later. He writes, “My main thesis is that the success of this nimble-minded musician depended on his ability to skillfully negotiate the musical and social legacies of slavery. Indeed, his career can be understood as a response to these interlocking trajectories.” I have just begun reading it and have been taken in by “Welcome to Chicago,” the book’s first chapter that tells the story of what Armstrong would have seen as he entered Lincoln Gardens for the first time in August, 1922; for example, the racially inflected floor show whose “centerpiece of the presentation is a row of light-skinned dancing girls;” dancing couples in an environment where “correct dancing is insisted upon” (to keep immorality charges at bay); and the local white musicians — “alligators” — described as “the little white boys…motivated to learn the music and cash in.”
I had the privilege of interviewing Thomas Brothers following the publication of Louis Armstrong’s New Orleans, and he has accepted my invitation for an interview about his new book. It is […] Continue reading »
On occasion I have taught a very basic 45 minute “History of Jazz” class to first and second graders. I play music and show video, hold up classic record album covers, and read a quotation or two. Without fail, the 6 – 8 year olds are excited by the music and images, and it is exhilarating to see them get to their feet and unabashedly dance, inspired by the music of Armstrong, Goodman, Ellington, Basie, Billie, and Monk. Their energy is unbounded, and is a reminder of what lives inside children before many unlearn their “hip” roots.
Whenever a new book geared toward teaching children about jazz music is released, I am moved to share the news…Check out Journey to Jazzland, a picture book to inspire kids to learn about jazz. Conceptualized by Gia Volterra de Saulnier, she writes that she hopes to “get more kids inspired to learn at least a little bit more about jazz,” and to get them to know about “this important music history that really should be kept alive.”
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You may want to consider adding Donald Fagen’s book Eminent Hipsters to your reading list. In it, the Steely Dan co-founder writes intelligently and often humorously about his early-life relationship with the jazz culture and how it helped shape his life choices and musical direction. Fagen says that the book’s main subjects are “talented musicians, writers and performers from a universe beyond suburban New Jersey who showed me how to interpret my own world.” Some of the “hipsters” Fagen shares along the way are Henry Mancini, all-night jazz DJ Mort Fega, WOR radio legend Jean Shepherd, and the Boswell Sisters.
An example of his colorful writing…In his chapter titled “In the Clubs” — an appreciation for the jazz clubs of New York he frequented as a young man — he wrote: […] Continue reading »