“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. In this edition, Art Blakey tells a story of Thelonious Monk, Coleman Hawkins and John Coltrane that took place during the 1957 recording session of Monk’s Music.
This bassist played in Ornette Coleman’s early bands before eventually leading the Liberation Music Orchestra, where he became known as one of free jazz’s founding fathers. Who is he?
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One afternoon at the age of ten, lightning strikes.
Alone in our ramshackle wood-frame house in Hartford, I decide to listen to some of my parents’ 45 RPM records. I watch one slide down the fat spindle and plop onto the turntable to receive the tone arm and needle. The music starts and like a bolt captures not just my ears but my whole being. It’s a guy with a gravelly voice singing something about
Aaron Copland, the mid-century classical composer whose work was greatly influenced by American life, had an interest in jazz, particularly, as he told Don Gold in a May, 1958 Downbeat article “the marriage – the fact that the young jazzmen are composers, often bridging the gap between fields. “ He also had some sympathy for jazz musicians because “they have the same trouble getting a big audience we have.”
The article, titled “Aaron Copland: The Well-Known American Composer Finds Virtues and Flaws in Jazz,” is of special interest because