• Ms. Hawbaker’s story is the winner of the 45th Jerry Jazz Musician Short Fiction Contest.

     

  • In this edition, Ralph J. Gleason’s liner notes to this classic 1959 recording describe the epic four week stint of Cannonball Adderley’s Quintet in San Francisco’s Jazz Workshop, as well as the vibrant late-50’s jazz scene in the city’s North Beach neighborhood.  

     

  • In this edition, Paul features samples of Alex Steinweiss album covers, created during the early 1940’s, at the beginning of his career

     

     

  • Swoosh! Shhh. Shhhhh! I hear the ear numbing screech and the train finally stops moving. Nine seconds and the loud beep will announce the door opening. Heels clack against the icy early morning pavement. The mass of cigarette smoke hazes my sense of direction until we finally reach the end of the Binario 12 and my ears welcome the familiar sound of strings.
  • "Last Stop with Louis Armstrong," by Laura Hawbaker
  • Liner Notes -- Cannonball Adderley in San Francisco
  • Cover Stories, with Paul Morris; Vol. 21
  • "As good as it will ever get" - a short story by Julie Parks
Features » Liner Notes

Liner Notes:  The Cannonball Adderley Quintet in San Francisco:  Live at the Jazz Workshop – by Ralph J. Gleason

In this edition, Ralph J. Gleason’s liner notes to this classic 1959 recording describe the epic four week stint of Cannonball Adderley’s Quintet in San Francisco’s Jazz Workshop, as well as the vibrant late-50’s jazz scene in the city’s North Beach neighborhood.  

Gleason — who at the time was a music critic at the San Francisco Chronicle — would go on to co-found Rolling Stone Magazine.   North Beach (particularly Broadway) — while forever bohemian — would subsequently became the home to Carol Doda and a boundary-breaking strip club scene.

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Literature » Short Fiction

Short Fiction Contest winning story #45 — “Last Stop with Louis Armstrong,” by Laura Hawbaker

            Wade missed the sweat. The sticky air that hugged you like a fat friend. The languid, dirty stench of swampy gutters. Of Bourbon street piss and puke. Of Dat Dogs at three in the morning, and the street mutts that cawed at the Mississippi. The rats and cockroaches scuttling around your shoes. The humidity. The heat.           

            He missed all of it.

            New York was cold. Not just the weather, but the people, too. Hardened pedestrians crushed the MTA platforms like stone statues, eyes glazed onto their phones or the wall or the floor. No smiles. No inward space given away to strangers. They hugged into their

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Quiz Show » Jazz History Quiz

Jazz History Quiz #100

Teddy Wilson once said this about a fellow jazz pianist:

“That man had the most phenomenal musical gifts I’ve ever heard. He was miraculous. It’s like someone hitting a home run every time he picks up a bat. We became such fast friends that I was allowed to interrupt him anytime he was playing at the house parties in Toledo we used to make every night. When I asked him, he would stop and replay a passage very slowly, showing me the fingering on some of those runs of his. You just couldn’t figure them out by ear at the tempo he played them.”

 

Who is the pianist he is describing?

 

Bud Powell

Art Tatum

Oscar Peterson

Fats Waller

James P. Johnson

Willie “The Lion” Smith

Jelly Roll Morton

 

Go to the next page for the answer!

 

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